[sammy]

Boujour a vous tous
je ne connais le Fado, je telecharge au pif, et j'espere que ce ne sera pas fade

[Sihem]

Yaâtik âssida Sam ! tu m'as fait rire comme tout. J'adore ton humour

[Farhouda]

Excellent Sammy

[Sihem]

Bonsoir tout le monde.
Fado music is portuguese folk music. Personnally, I love this kind of music.
Farhouda ma chérie, sais-tu que tu écoutes et aimes le fado sans le savoir peut-être ? Tu aimes Césaria Evora qui chante Fado. Et sais-tu aussi que tu es une fifille adorable ?

[Farhouda]

Originally Posted by Sihem

Bonsoir tout le monde.
Fado music is portuguese folk music. Personnally, I love this kind of music.

Moi aussi Sihem
Me too Sihem

Originally Posted by Sihem

Farhouda ma chérie, sais-tu que tu écoutes et aimes le fado sans le savoir peut-être ? Tu aimes Césaria Evora qui chante Fado.

je le savais pas j'ai toujours pensé qu'elle chantait de la Bossa C'est peut-être parce que je n'ai pas fait de rapprochement entre son style et celui de Mariza ou de Rosa Negra par exemple
En tout cas, merci beaucoup pour l'info Sihem

Originally Posted by Sihem

Et sais-tu aussi que tu es une fifille adorable ?

Oui ça je sais
Non je plaisante Merci beaucoup Sihem

[sammy]

bonjour cheres Sihem et Farhouda, Finalement J'ai ADORE et c'est loin d'etre fade,
moi aussi j'aime Cesaria Evora, mais je n'ai jamais su que c'etait du fado (merci Sihem)
Toutefois, Il ya une petite rectification a faire : Farhouda n'est pas adorable !!!!!!!!!!!!!!
Elle est Plus qu'adorable; et toi aussi Sihem et je vous adore toutes deux ainsi que ce joli petit monde de HaGasNy

[Farhouda]

Rabi yahfdhek Cher Sammy
Je vais finir par choper la grosse tête avec toutes ces jolies pensées moi :cool:
Je vous adore tous aussi

[choco canelle]

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Mariza - Live @ Admiralspalast, Berlin 10-01-2009


mp3 - 128kbs - 75.5mb

Tracklist
01. Recurso
02. Já Me Deixou
03. Maria Lisboa
04. Chuva
05. Morada Aberta
06. Beijo De Saudade
07. Meu Fado Meu
08. Barco Negro
09. Vozes Do Mar
I0. Tasco Da Mouraria
I1. Minh 'Alma
I2. Feira de Castro
I3. Olá Senhor Vinho
I4. Primavera
I5. You Are So Beautiful
I6. O Gente Da Minha Terra


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Cristina Branco - Live @ Studio Charles Trenet, Maison de Radio France, Paris 11-03-2009


mp3 - 128kbs - 31.5mb

Tracklist
01. Trago um fado
02. Longe do sul
03. (talk)
04. Eterno Retorno
05. Historias dio tempo
06. Bomba relogio
07. (talk)


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Hermínia Silva





Hermínia Silva was born in 1907, five years after Ercília Costa, who was the first fado artist to leave the boarders of Portugal. She soon became a noticeable presence in the retreats of Lisbon, which did not hesitate to contract her because of the originality with which she sang the Fado. The Song of the Neighbourhoods of Lisbon was in her veins, being that she was born right beside S. Jorge Castle. The "stories" of the love between Severa and the Count of Vimioso were still fresh in the memory of people. The Fado was part of their daily lives.

Quickly, her presence was noted in the retreats, and within a few years, in 1929, Hermínia Silva debuted for the Parque Mayer. It was the first time that Fado tickets sold here. Some newspapers of the time referred to her as the great national star, reaching this affirmation because the fadista had "a crowd of fanatic admirers." Her creativity and its inclusion in the Fado, created lyrics that were less sad, and sometimes with a strong stamp of social criticism. Her commitment was to bring to Fado and the Portuguese guitar, fados that were not traditional. These untraditional fados consisted of work by maestro Jaime Mendes, and composers such as Raul Ferrão, thus creating the so-called "musical fado", the fado whose music, though composed according to the basis of Fado, takes into account the potential of the Portuguese guitar.

Hermínia Silva became, without planning it, one of the most important people of Fado, as it exists today. Alfredo Marceneiro was the most important because of his exploration of the stylistic Traditional Fado, with Ercília Costa as his greatest icon. Hermínia would bring Fado to the great halls of the theatre, and would "launch" the future of this “National Music”, with the accompaniment of major orchestras, led by maestros, which were also composers. Her fame had reached such a point that the movie industry wanted to take advantage of her success as a great figure. Indeed, nine years after her debut in the theatre, Hermínia was part of the cast of a film by Chianca de Garcia, "Aldeia da Roupa Branca" (1938), a role that allowed her to sing in the film. She came to be considered the second most popular Portuguese artist of the twentieth century after Amália Rodrigues, the third most important person in Fado, yet to be born.

After several performances abroad, with particular emphasis in Brazil and Spain, Hermínia bet on a career, which was more concentrated in Portugal. Her known fear of flying lost her many contracts that emerged. But Hermínia was in the clouds, in her Lisbon of the seven hills. In 43, she was called for another movie, "Costa do Castelo,” in 46 "Homem do Ribatejo", she also passed by the stages of Park Mayer regularly, making success with her fados. Indeed, Hermínia was able to achieve such success in the theatre, that the SNI, gives her the "Award of the National Theatre," a much-coveted honor at the time. Until 1969, in "O Diabo era Outro", the popularity of the fadista filled the screens of theatres around the country. More reviews, more recitals, many successful records…
But for those who wanted to see the great Hermínia much more closely, they had the golden opportunity, see her live and in color, without a microphone, in her own house - the Solar da Hermínia, a restaurant which she owned almost to the end of her artistic life. People have many memories of this fantastic place, which I didn’t have a chance to see. Our companion Raul, in "Café Expresso", editor of the blog "Congeminações," told me once, about the fantastic evening he spent with Hermínia in her Solar. As many Portuguese and foreigners hold in memory, a voice and a presence of a woman who loved life, and who sang the Fado.

Fortunately, the Portuguese State, the old and the Contemporary, acknowledged Hermínia Silva. She received various awards and decorations, distinctions and appointments. This is right for an artist who today is one of the three largest names of Fado, beside Marceneiro and Amália that for different reasons, by "apports" of form and content that brought the Song of Lisbon, the Fado, as it is now understood, sung, played and formatted. The priestess sang almost until leaving our world on June 13, 1993. Thus one of the biggest stars of Fado passed away.


Major Career Points:
1920 Sang to Alfredo Marceneiro and to other friends, including Armandinho, who all loved to listen to the "girl." In 1926 she began to sing in the Valente das Farturas, in Parque Mayer. Alfredo Marceneiro sings close, in the Julio das Farturas. In 1929 at the “Esplanada Egípcia,” in Parque Mayer, she sings “Ouro Sobre Azul,” “De Trás da Orelha” and “Off-Side.” Still at the Parque in 1932, she then moved to Maria Victoria Theater, where she performs in the opera “Fonte Santa.” In 1933 at Ingressa Variety Theatre, she was the second figure, immediately after Beatriz Costa. In 1958 she inaugurates “Solar Hermínia”, in Bairro Alto, which engages her in such a way that she leaves the theatre. She would be at the head of house for 25 years. In 1970 she did 3-month tour in Brazil. She closed, in 1982, “Solar Hermínia,” the reference point of her career and where many artists performed. In 1987 at the Loucuras disco she put on a memorable show, in the presence of then President of the Republic, Mario Soares.





Hermínia Silva - Fados Classicos


mp3 - 128kbs - 59mb

A Sina-Fado da Cigana
A Tendinha
Es Livre
Fado da Galegã
Fado da Senhora da Saúde
Fado Da Sina
Fado da Te
Fado das Iscas
Fado Das Mãos Sujas
Fado do João Ratão
Fado Gingao
Fado Ribatejano
História Do Fado
Lisboa Antiga
Lugar Vazio
Maria Sozinha
Rapsodia de fados
Rosa Enjeitada
Velha Tendinha
Vou Dar de Beber à Alegria


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Isabel Silvestre







Isabel Silvestre, the popular singer of the group of Manhouce Songs, brought to the general public by the hand of the GNR, through the "Pronunciation of the North", one of the tracks on the "Rock In Rio Douro", returns with "I", the second one the solo disc, after "A Portuguesa".

As the first album, the production was in charge of John Gill, and is composed of several popular songs, which are based both in its melodic simplicity and strength. As Isabel Silvestre tells itself 'is the most popular music. One of the reasons that led me to this was to take the songs Manhouce and - how shall I say? - Wear them with a new outfit. "This new outfit is largely achieved by the participation of guitarist Mario Delgado, who also co-produced the disc.

Isabel Silvestre has been since the 80 invited to perform a solo work, but their willingness to document their work and support you in your project's time, the "Songs of Manhouce" meant that the singer only embark on this great adventure one decade later. Apparently, even came to stay.

The empowerment of the corners of Manhouce, certainly had some impact on the group, with "more lazy," as Isabel Silvesrte available to own, but 'more or less lazy lazy, the group still standing, and with a bit of strength will be able to enter new work. I have great hope.
work. I have great hope.

All the work of Isabel Silvestre the idea to record the manner of singing of Manhouce, documenting for future generations much of the cultural heritage of the region. The truth is that the disk "I" has many tunes never before recorded, although in a relatively unexpected, a little of the guitar arrangements by Mario Delgado, percussions and the tables of John Nuno Dams and participation in the range of Rao Kyao 'Lady Health.

The ambitions of this great lady and her voice only, for a tour around the disk, are quite larger than those achieved with "A Portuguesa", whose task was to show a little below expectations. To do so will have the company of several musicians led by Peter D'orey and the holding of shows that take advantage of hand "sound" of his music, which is to be heard calmly in relaxed and intimate ... "For example, with the Group of Manhouce corners of our best shows have been in places where there is no equipment! This is where you see the combination of voices, the interconnection between them and the predisposition of the area to help with the sound.







Isabel Silvestre - A Portuguesa [1997]


mp3 - 128kbs - 38.5mb - covers

Tracklist
01. Deolinda de Jesus
02. A gente não lê
03. Miraculosa Rainha dos Céus
04. A ronda do soldadinho
05. Asa branca
06. Cantar de emigração
07. E lá Vem o Maio
08. Ao sul
09. Santa Combinha
10. Menino de oiro
11. Muito lindo ‚ o Céu
12. A Portuguesa


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une chanson de l'album. tu serais surpris.

[Sihem]

Encore et toujours

[LDD]

Such beautiful music, with such yearning and melancholy. Thank you for the time and effort to post all these.